Friday, December 01, 2006

Love Will Make It All Right: Lou Pride In Concert

As promised, here is my description of the show by Lou Pride last Sunday night at the Komedia in Brighton...

Lou Pride @ The Komedia Sunday 26th November

Arriving just in time, I found a side table, and settled down to watch the band, Mo'Indigo, tune up. They began to play some blues entitled Fleetwood Cadillac and Kisses Like Fire, before introducing the syncopated notes of the WattSoul Horns.

Terry of Mo'Indigo plays some licks...

Barely had the horns blared out their fanfare, when guitarist Terry announced,"Ladies and Gentlemen - Lou Pride!", and Lou Pride was on stage, wearing a fine white linen suit.

Catching the audience by surprise, he built up the audience by asking:
"When he said LOU PRIDE, I didn't hear no noise!"

He got what he was after this time, and then Lou kept us clapping and responding each time he called out All Night Long, a variation on the Hoochie Coochie Man lyric.

Lou introduced himself:
"It's my last night her in your country, so we're gonna do two sets for you... and by the time we're through, you'll just be in time for work tomorrow!"

From the back of the room the DJ, I assume local resident Little Rik, could no longer contain his enthusiasm, and holler: "Yeah! I'm Comun Home in the Morn'un!"

Lou smiled and soothed him down a little:
"Hold on, we'll come to that later on, I promise! We've only just begun..."

Lou Pride and the band lauched into a powerful funky blues titled Beware Of The Dog, and then another powerful number, but in a more regretful mood, Heavy Load All Over My Soul. The next number was a slower lament as Lou feels like he 'saw the sky fall down this morning', and looks for his 'broken down white woman' and asks us, does Somebody Know About My Baby?

Time for some more interaction with the crowd:
"I've played a lot of places in this world, and I'm blessed to do so.", says Lou.
The DJ cries: "You're Wigan's favourite, and always will be!"
Lou answers affirmatively:
"You know, I tell everybody I meet in this business, you've got to come here to this country to learn how to be a real fan! Yeah, I'll have upset some people now, but I don't care!"
It is unusual and cathartic to hear an english crowd roar and call out in approval.

Next up Lou introduces his rendition of Waiting In Vain, telling us a lighthertedly:
"I told Bob I was gonna do this song, but I had to tell him I couldn't sing it the way he does, I'm gonna have to do it my way."
It allows the organist Frazier to display his soloing talents during this one. The horns are tight, the rythmn focused and soulful.

Lou next does on of his classic numbers Bringing Me Back Home, and when I look around, there is a line of women who have got up on their feet and are dancing, and on into the final number of the set, an upbeat I Had A Talk With My Baby.

Back after the interval to hear Mo'Indigo go Spencer Davis Group with My Babe. Then Lou was back, having mopped the sweat from his brow and now dressed in blue, and starts to Twist The Knife in. Then he makes us realise that when Love Is Running Away From Me, it's more a case of "I never lost you, because you were never mine."

A change of pace for the next slow country waltz ballad, I Wanna Hold Your Hand, nothing to do with the Beatles number, which reminded me more of That's How Strong My Love Is. in some ways, and evoked a very simple and honest expression of human tenderness. Lou had won over the emotional sympathy of the crowd, and made the next song a personal choice:

"I want to introduce the next song, which is very personal to me... I have children, and I see the children growing up in this world of ours, surrounded by poverty and war and violence... and it's about time we made a change, we've got to do a little bit better in EVERYTHING!... I wrote this song for that reason, to show that we all know that a little Love Will Make It All Right."

It's a theme that has been close to Lou Pride's writing throughout his career in other songs like Message To The People, and while we know that the emotion of soul is an art form and performance, it is nice to know how the music can be inspired by the real feelings of the performer, to bring it to a higher level. Lou sings the line, "Love Will Make It All Right", and we sing it three times back, chorus after chorus, until he is sure everybody is together on this one and part of the communion...

Then the bassist kicks up a driving funky rhythm, and the WattSoul Horns hit a complex jazz-bop trill, Terry plays an F sharp chord, and for a moment few catch on, then my face lights up, as I realise we are about to hear a classic song from the writer and singer, and Lou Pride, staring out perhaps in my direction (ok, I was getting excited by the whole thing) grasps the microphone to sing, "I'm Comun Home In The Morn'un"...

Lou Pride - I'm Com'un Home In The Morn'un (Suemi ST4567) (1972)

Please come back we cry, and he does for an encore, light going up and Lou hitting the floor ot shake the hand of a boy in the front row: "Put it there, son!" His parents are dancing and are in seventh heaven by now. Lou tours the floor shaking hands singing a reprise of All Night Long. The blurry snaps were taken at this time, as I had forgotten how to set the flash in my haste.

A special night that I'm glad I was there for, and to see a performer who should be praised to the rooftops...

POSTSCRIPT: All of you who were at the show in Stamford - you bought up every CD and souvenir Lou had! Nothing left for us poor southerners!


Rob Whatman said...

The interval set list was as follows, since I had a pen handy...

Open The Door To Your Heart - Darrell Banks
7 Days Is Too Long - Chuck Wood
You Been Cheatin' On Me - The Impressions
Do The Duck - Jackie Lee
365 Days Of Bad Luck - unknown
Competition Ain't Nothing - Carl Carlton
(Looks To Me Like This Could Be The) Real Thing - Kim Davis

Rob Whatman said...

365 Days - Donald Height...

Anonymous said...

I read posts like this with a bittersweet feeling - as an black American, I can't help but be bemused that a soul master like Lou Pride can go overseas and be greeted with such enthusiasm but probably only 1 person in 20,000,000 knows who he even is here. I'm glad it was a great show, though. I will take solace in the fact that the Mighty Hannibal is doing a show here in Atlanta next month.

Rob Whatman said...

You have to tell us what The Mighty Hannibal was like next month!

In a way, the development of a culture around Northern Soul preserved that era of music in British popular culture, and to a limited extent inured it against ever-changing trends of taste. And it never had to contend with any major home-grown r&b development to challenge its popularity. So there is a ever-present small but constantly renewed audience for soul acts to perform in Europe. We are a bit of a historical society, and in the wider society, only Motown and The Commitments have a grasp of the popular mind.

On the other hand, I suppose that in the USA the music was always alive, being truly popular music, and always developing into new forms, so that as the times moved, the musical form changed, bringing the whole audience along with it, and the 'classic' soul sound was left behind.

Red Kelly said...

Something Jerry Wexler once said comes to mind;

"Black American music is not nostalgic. It is forever moving forward", or words to that effect anyway.

He's right.